"Architectural concern"
Motivated descriptions of the experiences of architectural forms usually rely on the naturalness of a human gesture. Such motivation is especially noticeable in expressionist concepts of architectural form.
The direct experience of architectural forms is most often explored in works devoted to the psychology of the perception of architecture. They usually do not separate psychological phenomena and aesthetic judgments proper, and the symbolic and phenomenological properties of forms are mixed.
There are no concepts of direct experience of architecture, but there are a huge number of artistic experiences of experiencing architecture, space and environment in painting, drawing, photography, cinema, literature, theatrical productions. The images of art convey the immediacy of architectural impressions.
